Tag Archives: C1

Are we Killing or Promoting Creativity? A Collaborative Writing and Speaking Lesson

Every child is an artist, the problem is staying an artist when you grow up.” – Pablo Picasso

I had a full-blown, real, very much needed holiday. The last two months had been unbelievably hectic: end-of-term exams, working full-time during the week and some teacher training weekends and, to top it all, I was also writing a project to apply for a European grant, which unfortunately I won’t get.

So, there I was, fully enjoying my break , when I stumbled upon an article in El Pais about a short animated short film “Alike”, which had won a Goya award in 2016, and I was struck with how beautiful, touching and thought-provoking the video was. And I just knew I had to show it to my students, do something with it and well, here it is. I hope you enjoy it as much as I did.

About the lesson: In this lesson, aimed at B2 students and above, students watch a short silent film called Alike (7 minutes) with two main aims:

  1. To give voice to the story and for this:
  • they will have to collaboratively write the story
  • they will have to collaboratively retell the story

2. To discuss some questions related to education, the promotion of creativity and         daring to be different.


Step 1. Warm-up: Copi and Paste

Tell students they are going to watch a short  video called Alike, where the main two characters are a father and a son whose names are Copi and Paste. Focus on the names, write them on the board and ask students to predict what the story could be about. Hopefully, students will come up with some of these ideas

  • (Lack of)Creativity
  • Imagination
  • Routine
  • Lack of ideas
  • Plagiarism
  • Inspiration
  • Deception

Step 2. Introducing the video and the task

Explain that the video they are about to see is an animated short film (7 minutes) called “Alike” where there is no dialogue. However, the video is so touching and thought-provoking that words are not necessary; images and especially colours play an essential role and are enough to tell this beautiful story and to give us something to think about.

Play the video once asking students to focus on how the colours (or lack of colour) help tell the story. You can also tell them that, later in the lesson, they will need to narrate the story so they need to concentrate on everything that happens.


Step 3.Working on vocabulary.


The next step will focus on teaching/revising the vocabulary they will need to know to write the story.  Below, some flipcards I have used with my students.
Flash Card Deck created by Cristina Cabal with GoConqr

 


Step 4. Collaborative Writing and Retelling

1. Form groups and assign each group a part of the story. The aim is first to write and then to tell their part of the story as it happens, but also to analyse the hidden meaning and the values it tries to highlight.

  • The day begins (0:06- 1:32)
  • At school/ at work ( 1:33-2:38)
  • Leaving the office/school (2:39-3:07)
  • The next days (3:08-3:52)
  • Copi’s surrender (3:53-5:00)
  • But one day (5:01-6:50)

Depending on the number of students, you can ask them to work in pairs or assign each group two parts.

2. Play the story once again for the students to take down notes and get stsrted with the writing task. Walk around offering help and guidance.

3.  Play the story again to help students polish their part.

4. Ask each group to name a spokesperson and ask these students to come to the front of the class and give voice to the story as you play it once again.  Be ready to pause the video as required.

(below my students performing)

via GIPHY

 


Step 4. Speaking


For this activity there should be a supportive atmosphere within the class.

Form groups to discuss the following questions. When all the questions have been discussed, the groups should report back to the whole class.

  • Have you ever done something different or behaved differently from your peers?
  • Do you remember a time when, for some reason, you stood out as different?
  • Do you remember a time when you went against the established rules?
  • What’s something you know you do differently than most people?
  • Do you think the way education is organized destroys children’s creativity?
  • Do you think education for children under seven is excessively focused on the curriculum?
  • Do you think that be learning to be creative is more important than knowing how to spell correctly?

Life Begins at 70: a Future Perfect and Future Continuous Lesson

To me, old age is always ten years older than I am”  John Burroughs

In this engaging lesson, students will consolidate the use of future perfect and future perfect continuous through some engaging activities.


WARM UP


Show them a picture of how you see yourself when you are 70 and explain why you see yourself like that. (below you’ll see the picture I showed my students). After some laughs and a bit of explaining, ask students:

How do you see yourselves when you are 70? Do you look forward to getting old?

Ask them to talk in pairs for two or three minutes and get feedback.


THE POEM- WARMING by Jenny Joseph


This is a nice opportunity to introduce poetry in class.

Explain that the poem they are about to listen/read, written by Jenny Joseph, goes hand in hand with the picture of yourself shown above. After listening to the poem, ask students whether they think the author is looking forward to getting old and why.

It seems the poetess is rebellious, but she is only comfortable to ‘break the rules’ when she has the excuse of old age and senility. Ask students what they think about her attitude.


GALLERY WALK

  • On the walls of the class display pictures of elderly people reflecting different attitudes towards life when they are old.
  • Ask students to stand up, have a look at all of them, and decide which one will best represent their attitude to life. They now return to their desks.
  • Ask them to write two sentences using the future perfect and two sentences using the future continuous, based on the picture they have chosen.
  • Get students in threes now and ask them to explain their choice to their partners and use the 4 sentences they have written.
  • For example and based on my picture
  • I will have tried parachuting when I am 70
  • I will have probably written a recipe book.
  • I will probably be living in Bhutan
  • I will be living life to the fullest

I have used these pictures to display on the walls.


SPEAKING


Students now work in small groups and answer the following questions about the future. Remind them that they need to elaborate on their answers, giving reasons and using different expressions to give opinions. All the questions contain either a future perfect or a future continuous form; encourage students to use these tenses in their answers.

You might find this handout useful

Looking Forward to the Future

Write your CV or Resume with Free Editable Templates

Do you dread having to write your résumé or CV?

I’m dropping in right quick to show you something that could be really interesting if you need to write a résumé or a CV.

A few days ago, one of my students asked me a favour. She was considering applying for a job outside Spain and wanted me to “have a look” at her résumé.

The truth is that it’s never easy to write this kind of document and even less if it needs to be written in a language that is not your own. So, a bit of help, guidance and a model to copy is always welcome.

Canva is a free graphic-design tool website I have been using for about two years to create beautiful engaging posters for my class, but Canva collection of content types is continually growing and among other content types, they have recently introduced templates for résumés which are fully editable. Make sure you choose the free templates unless, of course, you don’t mind paying a small fee. And remember you can change colours, fonts, insert text, images…etc. Below you can see a small tutorial I have created to help you get started.

You Have an Email! An Interactive Writing Activity

It’s true that although I’m a technology enthusiast there are still some things that I want to see written in paper. Especially when I’m studying I want to be able to underline, highlight, mark as irrelevant or write side comments in the margins.

So, for this activity, and despite finding lots of beautiful online presentations explaining the art of writing informal emails or letters (does anyone write letters anymore?), I have decided to stick to the traditional handout.


Level: B1 and above

Materials: checklist and handout (I have slightly modified it to adjust to my students’ needs)

Aims:

  • To teach students how to write informal emails with different purposes
  • To give students practice in writing some of these emails
  • To help students self-correct their own writings

THE THEORY

As explained above, I gave my students this excellent handout and we went through it. To make this process a bit more interactive, before each section we did a bit of brainstorming on the board tapping into the students’ prior knowledge. It is amazing to see how much they already know when you just take the time to ask them. After these brainstorming sessions, I always tell my students “Now, a bit more”. This “Now, a bit more” is based on the idea that new knowledge is constructed from old knowledge and I firmly believe this approach really makes it easier for students to learn and improve.


THE PRACTICE.

In this part the students will have to write two emails: a short one (50-60 words) and a longer one (140-160 words) in reply to a short one.

ONE. On the board write the following

  • Giving news
  • Apologizing
  • Inviting
  • Requesting
  • Thanking
  • Congratulating

 

TWO. Ask students to choose one. Make sure there is variety. They will find useful expressions for the email they have chosen to write in the handout provided.

THREE. Explain that they will need to write, on a clean sheet of paper, a short email to someone in the class. Tell them to follow the “salutation/body/closing structure. They will need to refer to the purpose of their email and then ask 2 or 3 further questions, related or not to the reason for writing their email. Remind them to keep this email short. Allow 10 minutes for this part.

FOUR. Once they have finished, ask students to swap emails with the person sitting behind them making sure they have not written the same kind of email. In that case, help them find someone else to swap emails with.

FIVE. Students will have to write an email in response to the email received, answering any questions asked. Ask them to refer to the handout and use a variety of expressions and a good range of vocabulary and structures. Allow 25 minutes for this part. They should aim to write between 140-160 words.

SIX. Students swap emails again and read the reply to their email.

SEVEN. Ask students to use this checklist to correct their partner’s email and give it a mark taking into account the following:

  • Content: Has he fulfilled the task? Has he answered all the questions?
  • Communicative Achievement: Has he used the right register or is it too formal? Does it sound natural?
  • Organisation: Is it well-structured? Is it logical and ordered? Has he used the right punctuation?
  • Language: Has he used a wide variety of vocabulary and structures? Is it adequate to the level? Are there spelling mistakes?

Correcting each other’s emails is not something the students feel confident about, but if before they start correcting, you write some repetitive mistakes on the board they’ll feel more confident correcting them. Ask them to underline anything that sounds incorrect to them and offer help.

EIGHT. The final step would be pairing up senders and recipients to comment on mistakes and marks awarded.

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